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Madhurashtakam
Oct 19th, 2009 by Ram

The Madhurastakam (Sanskrit: मधुराष्टकम्, madhurāṣṭakam) is a beautiful Sanskrit composition in devotion of Lord Krishna, composed by the Hindu Bhakti philosopher-poet Sripad Vallabha Acharya who flourished under the patronage of the Vijayanagar King Sri Krishnadevarya in the late fifteenth century.

This hymn was created to lead the devotee to the Path of Grace, which involves a constant love-filled devotion to Krishna by various means including singing (kirtana), remembering (smarana), conceptualizing and beholding (darshana) a lovely image of the deity upon singing of the Madhurastakam, and offering of services (seva). These acts enable the devotee to enter into the divine presence of Sri Krishna and to experience the Lord’s real essence (svarupa) which are in fact, succinctly laid down by the Madhurastakam.

The Madhurastakam deals with the qualities and deeds of Lord Krishna, all of which have been conceptualized as been dipped in madhu, meaning honey or nectar. In the eyes of the devotee, everything that pertains to Lord is sweet and graceful, he being the adhipati -Lord of all sweetness.

The body of the Madhurastakam includes many qualities, attributes and motifs associated with Krishna, including the venu flute, cows, the Yamuna river, gopis, and Krishna’s lila. These have been labeled as ‘sweet’ in the astakam. Hence, Madhurastakam plays an instrumental role in the realization of the Lord.

This mellifluous rendition of the Madhurashtakam is by M.S.Subbalakshmi.

Madhurashtakam ( Source: Wikipedia)

Eight Stanzas on Sweetness
Sanskrit English English Translation
अधरं मधुरं adharaṁ madhuraṁ (His) lips are sweet
वदनं मधुरं vadanaṁ madhuraṁ (His) face is sweet
नयनं मधुरं nayanaṁ madhuraṁ (His) eyes are sweet
हसितं मधुरम् ‌। hasitaṁ madhuram . (His) smile is sweet
हृदयं मधुरं hṛdayaṁ madhuraṁ (His) heart is sweet
गमनं मधुरं gamanaṁ madhuraṁ (His) gait (walk) is sweet
मधुराधिपतेरखिलं मधुरम् ‌॥ १ ॥ madhurādhipaterakhilaṁ madhuram .. 1 .. Everything is sweet about the Lord of Sweetness
वचनं मधुरं vacanaṁ madhuraṁ (His) words are sweet
चरितं मधुरं caritaṁ madhuraṁ (His) character and deeds are sweet
वसनं मधुरं vasanaṁ madhuraṁ (His) dress (garment) is sweet
वलितं मधुरम्‌ । valitaṁ madhuram . (His) posture is sweet
चलितं मधुरं calitaṁ madhuraṁ (His) movements are sweet
भ्रमितं मधुरं bhramitaṁ madhuraṁ (His) wandering is sweet
मधुराधिपतेरखिलं मधुरम्‌ ॥ २ ॥ madhurādhipaterakhilaṁ madhuram .. 2 .. Everything is sweet about the Lord of Sweetness
वेणुर्मधुरो veṇurmadhuro (His) flute-playing is sweet
रेणुर्मधुरः reṇurmadhuraḥ (His) foot-dust is sweet
पाणिर्मधुरः pāṇirmadhuraḥ (His) hands are sweet
पादौ मधुरौ । pādau madhurau . (His) feet are sweet
नृत्यं मधुरं nṛtyaṁ madhuraṁ (His) dancing is sweet
सख्यं मधुरं sakhyaṁ madhuraṁ (His) friendship (company) is sweet
मधुराधिपतेरखिलं मधुरम्‌ ॥ ३ ॥ madhurādhipaterakhilaṁ madhuram .. 3 .. Everything is sweet about the Lord of Sweetness
गीतं मधुरं gītaṁ madhuraṁ (His) song is sweet
पीतं मधुरं pītaṁ madhuraṁ (His) drinking is sweet
भुक्तं मधुरं bhuktaṁ madhuraṁ (His) eating is sweet
सुप्तं मधुरम्‌ । suptaṁ madhuram . (His) sleeping is sweet
रूपं मधुरं rūpaṁ madhuraṁ (His) beautiful form is sweet
तिलकं मधुरं tilakaṁ madhuraṁ (His) Tilaka (Sandalwood paste mark on the forehead) is sweet
मधुराधिपतेरखिलं मधुरम् ‌॥ ४ ॥ madhurādhipaterakhilaṁ madhuram .. 4 .. Everything is sweet about the Lord of Sweetness
करणं मधुरं karaṇaṁ madhuraṁ (His) deeds are sweet
तरणं मधुरं taraṇaṁ madhuraṁ (His) conquest (liberating) is sweet
हरणं मधुरं haraṇaṁ madhuraṁ (His) stealing is sweet
रमणं मधुरम् ‌। ramaṇaṁ madhuram . (His) love-sports are sweet
वमितं मधुरं vamitaṁ madhuraṁ (His) oblations (offerings) are sweet
शमितं मधुरं śamitaṁ madhuraṁ (His) countenance is sweet
मधुराधिपतेरखिलं मधुरम्‌ ॥ ५ ॥ madhurādhipaterakhilaṁ madhuram .. 5 .. Everything is sweet about the Lord of Sweetness
गुञ्जा मधुरा guñjā madhurā (His) gunja-berry necklace is sweet
माला मधुरा mālā madhurā (His) flower garland is sweet
यमुना मधुरा yamunā madhurā Yamuna river is sweet
वीची मधुरा । vīcī madhurā . and sweet are Yamuna’s rippling waves
सलिलं मधुरं salilaṁ madhuraṁ Her water is sweet
कमलं मधुरं kamalaṁ madhuraṁ and sweet are the lotus flowers also
मधुराधिपतेरखिलं मधुरम् ‌॥ ६ ॥ madhurādhipaterakhilaṁ madhuram .. 6 .. Everything is sweet about the Lord of Sweetness
गोपी मधुरा gopī madhurā (His) gopis (cowherd girl of Gopa) are sweet
लीला मधुरा līlā madhurā (His) frolickings are sweet
युक्तं मधुरं yuktaṁ madhuraṁ (His) union (meeting) is sweet
मुक्तं मधुरम् ‌। muktaṁ madhuram . (His) deliverance is sweet
दृष्टं मधुरं dṛṣṭaṁ madhuraṁ (His) sidelong glances are sweet
शिष्टं मधुरं śiṣṭaṁ madhuraṁ (His) etiquette is sweet
मधुराधिपतेरखिलं मधुरम् ‌॥ ७ ॥ madhurādhipaterakhilaṁ madhuram .. 7 .. Everything is sweet about the Lord of Sweetness
गोपा मधुरा gopā madhurā (His) gopas (cowherd friends) are sweet
गावो मधुरा gāvo madhurā (His) cows are sweet
यष्टिर्मधुरा yaṣṭirmadhurā (His) cane (herding-stick) is sweet
सृष्टिर्मधुरा । sṛṣṭirmadhurā . (His) creation is sweet
दलितं मधुरं dalitaṁ madhuraṁ (His) victory is sweet
फलितं मधुरं phalitaṁ madhuraṁ (His) accomplishment (fruition) is sweet
मधुराधिपतेरखिलं मधुरम्‌ ॥ ८ ॥ madhurādhipaterakhilaṁ madhuram .. 8 .. Everything is sweet about the Lord of Sweetness
The Slaying of Madhu & Kaitabha – Devi Mahatmyam 1
Sep 26th, 2009 by Sowmya

This is the first of a series of posts on Devi Mahatmyam. These were short summaries given at our UAE Satsangh.

Thanks to Chitraji for providing the material for sharing with all of us.

1st chapter – THE SLAYING OF MADHU AND KHAITABHA

The whole story of Devi Mahatmyam was narrated by Sage Markandeya to his disciple Krasustukhi Bhaguri, explaining how Saavarni, the son of Surya became the Lord of the 8th Manvantara by Mahamaya.

The curtain rasier for the first chapter has two individuals who meet at theGoddess Durga 1 hermitage of sage Medhas. One is a king named Suratha. The other is the merchant named Samadhi. Both were afflicted with pain, the king being relieved of his treasury and army by his own powerful evil disposed ministers and the merchant, even though born in a wealthy family had been cast out by his sons and wife who were wicked thru greed of wealth. Both of them took refuge in hermitage in the forest.

Even though they were in the forest they could not leave the thoughts of their respective losses. The king was constantly remembering about the kingdom up to the finest details. The merchant too was always engrossed in thinking about his sons’ lives. “ How is it that the mind despite knowing the attachment towards the object whose defects we do know is still prone to love even towards worthless kinsmen? How are we getting deluded even though we are aware of it?” they asked the rishi with due respects.

The rishi said, “Sir, every being has the knowledge of objects perceivable by the senses. An object of sense reaches it in various ways. Some beings are blind by day, and others are blind by night; some beings have equal sight both by day and night. Human beings are certainly endowed with knowledge but they are not the only beings for other creatures also can cognize the objects of senses.

The knowledge that men have, birds and bees too have; and what they have, men also possess. And the rest like eating and sleeping is common to both of them. Look at these birds, which though they possess knowledge and are themselves distressed by hunger are yet, because of the delusion engaged in dropping grains in to the beaks of their young ones. Human beings are attached to their children because of greed for return help.

Even so men are hurled in to the whirlpool of attachment, the pit of delusion thru the power of Mahaa maaya who makes the existence of the world possible. This mahaa maya is the yoga nidhra of Vishnu, the Lord of the world. It is by her the world is deluded. This mahaa maya forcibly drawing the minds of even the wise, throws them in to delusion. She is the supreme knowledge, the cause of final liberation and eternal. She is the cause of bondage of transmigration and the sovereign over all Lords.”

Now the king wanted to know more about that mahaamaya. The sage continued to narrate the story of madhu and khaitabha. At the end of a kalpa, when the universe was one ocean and the Lord Vishnu took to mystic slumber on Sesha, two terrible asuras, the well known Madhu and Khaitabha sprung in to being from the dirt of Vishnu’s ears. They wanted to slay Brahma. Brahma ji, seeing these two fierce asuras and Vishnu asleep and with a view to awaken Vishnu, with concentrated mind extolled Yoganidhra dwelling in Hari’s eyes. Brahma praised Yoganidhra to the extent that mother Maha maaya drew herself out from Vishnu’s eyes, mouth, nostrils, arms, heart and breast. Lord Vishnu quitted by her, rose up from his couch, saw those two evil asuras with eyes red in anger. Vishnu fought with those asuras using his own arms as weapons. The asuras proud of their exceeding power, and deluded by mahaamaya exclaimed to Vishnu, “Ask boon from us”. Bhagwan said, “If you are satisfied with me you must both be slain by me now. There is no need for any other boon here. This is my choice.” The two asuras bewitched by mahaa maya gazing then at the entire world turned in to water told Bhagwan to slay at a spot where the earth is not flooded with water. Bhagwan saying, “Be it so”, took them on his loins and severed their heads with his discus.

Here ends the story of the destruction of Madhu and Kaitabha of Devi Mahatmyam.

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